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Cluster Memory

Through the use of objects, various phenomena of individual and collective memory are vividly and comprehensibly conveyed. Objects can trigger, shape or interrupt memory processes, particularly through their impact on the human subject. The relationship between materiality, memory and affectivity is therefore at the heart of the Memory cluster, which examines the role of Jewish material culture in shaping memory and post-memory of the Holocaust in different historical and national contexts and narratives.

From the beginning, materiality has played a central role in Holocaust remembrance: in the extermination camps, the body was not a philosophical abstraction, but could be seen as the fundamental materialisation of the reality of the camps. The violent fragmentation of the subject was inscribed on the body, leaving irreparable traces. Surviving the camp became the literal “materialisation” of one’s own death. If we consider the body as a lieu de mémoire, it allows us to penetrate the past and gain access to experiences that were hidden and repressed due to the extreme nature of the suffering endured.

In addition to the body, the Memory cluster aims to reconstruct memory by approaching remnants and ruins of Jewish life after the Holocaust. The goal is to identify the various contexts in which the life and afterlife of Jewish objects in Europe after the Second World War and the end of Communism exert an affective force on individuals and societies. The focus is on reflecting on the fate and use of objects in order to explore their meanings within different forms of Jewish memory culture and to examine the implications of Jewish absence in post-Holocaust European societies. The research looks at both historical discourses and different media such as literary texts, memoirs, autobiographies, films and photographs. These media represent modes of relating different spheres of life, continuity between generations, bridges between individual and collective histories, and connections between human civilization and nature.

Bäume, Herbst, Kiew 1990, aus der Serie: Lebensatem

© Rita Ostrovska, www.rita-art.org

Research Projects

  • Project: Soviet Jewish Objects – Mark Zhitnitskii’s Album ‘Voina 1941-1945’ (mid-1980s)

    Researcher: Katharina Langolf

    Supervision: Anna Artwinska, Manuela Consonni

  • Project: DVARIM POLANIM – Material Culture and the Changing Identity of Polish Jews in Israel across the 20th Century

    Researcher: Alicja Markowska

    Supervision: Anna Artwinksa, Aya Elyada

  • Project: Between Ruins and Revival – Jewish Identity and Material Heritage in Post-Communist Poland

    Researcher: Svenja Pilger

    Supervision: Manuela Consonni, Anna Artwińska

  • Project: Simmering Belongings – Jewish Foodways in Socialist Yugoslavia

    Researcher: Katarina Rakić

    Supervision: Yfaat Weiss, Anna Artwinska

  • Project: Traces of belonging(s) – on the materiality of the imprisonment experience of Jewish women in the Ravensbrück women’s concentration camp

    Researcher: Ricarda Rogalla

    Supervision: Manuela Consonni, Dirk van Laak

  • Project: Excitement, Uncertainty, and Nostalgia – Everyday Objects of Soviet-Jewish Refuseniks

    Researcher: Jakob Stürmann

  • Project: “Mes poumons comme les rouleaux de la Thora” – Towards a Poetics of the Trace: Jewishness, Exile, and Writing in the Work of Hélène Cixous

    Researcher: Mira Yacine

    Supervision: Manuela Consonni, Tanja Zimmermann

Supervisors

  • Portrait Photo of Anna Artwinska

    Anna Artwińska

    Professor for Slavonic Literature and Cultural Studies with a Focus on Western Slavonic Studies, Leipzig University

  • Manuela Consonni

    Director of the Vidal Sassoon Center for the Study of Antisemitism, Pela and Adam Starkopf Chair in Holocaust Studies, Hebrew University of Jerusalem